“…Graziella Vigo, a very interesting contemporary Italian photographer…” Wall Street Journal
Graziella Vigo, born in Milan, studied in Geneva, professional journalist,
Her rich file of portraits gave birth to her first book “Portrait” and important exhibition at the Museo della Permanente – the Milanese Gallery of Modern Art. Her fortuitous meeting with the conductor Riccrdo Muti at La Scala opened up a new period dedicated to the theatre and the opera with the magical music of Verdi. Thousands of photographs of productions from Milan to Tokyo were ready for a new book “Verdi on Stage” and an exhibition of the same name, which, after opening in Parma at the Palazzo Farnese, was invited by the New York Public Library first to the Lincoln Center and thereafter toured the United States.Returning to Milan, she opened her own photographic studio and continued to work with many different national and international publications. She was present at a lot of journeys as special correspondent. To Washington at the White House, to Moscow at the Kremlin, to Peking where she covered the “Fourth World Conference on Women” for the Presidency of the Council of Ministers for Equal Opportunities.
Long journeys in China, India and Armenia gave rise to further books followed by personal exhibitions in Italy and the United States, starting from New York, her second city.
From Milan came recognitions such as the Ambrogino d’Oro "for her career in fashion but also for all her work for Indian waifs in the Care and Share association".The gold plaque from Friends of the Opera "for portraying the divine music of Verdi". And finally the Fondazione Marisa Bellisario prize "for the gift and the creative genius with which she has managed to achieve the international fame that is the reward of her feminine Italian talent in modern art.”
“… in her photography there emerges clearly a consolidated experience as journalist, with an interesting approach to the photographic image. Her meticulous attention to detail, the study, the knowledge and the taste of light make her a “portraitist” with an eye on the technique of the past and the softness of the modern portrait.” Lanfranco Colombo